Monday, November 4, 2019

Oryx and Crake (MaddAddam Trilogy) Free Pdf

ISBN: 0385721676
Title: Oryx and Crake (MaddAddam Trilogy) Pdf
Author: Margaret Atwood
Published Date: 2004
Page: 376

“Towering and intrepid. . . . Atwood does Orwell one better.” —The New Yorker“Atwood has long since established herself as one of the best writers in English today, but Oryx and Crake may well be her best work yet. . . . Brilliant, provocative, sumptuous and downright terrifying.” —The Baltimore Sun“Her shuddering post-apocalyptic vision of the world . . . summons up echoes of George Orwell, Anthony Burgess and Aldous Huxley. . . . Oryx and Crake [is] in the forefront of visionary fiction.” —The Seattle Times“A book too marvelous to miss.” —The San Diego Union-Tribune“Majestic. . . . Keeps us on the edges of our seats.” —The Washington Post“A compelling futuristic vision. . . . Oryx and Crake carries itself with a refreshing lightness. . . . Its shrewd pacing neatly balances action and exposition. . . . What gives the book a deeper resonance is its humanity.” –Newsday“[A] stunning new novel–possibly her best since The Handmaid’s Tale.” –Time Out New York“A delightful amalgam for the sophisticated reader: her perfectly placed prose, poetic language and tongue-in-cheek tone are ubiquitous throughout, as if an enchanted nanny is telling one a dark bedtime story of alienation and ruin while lovingly stroking one’s head.” –Ms.“Truly remarkable. . . . As fun as it is dark. . . . A feast of realism, science fiction, satire, elegy and then some. . . . Atwood has concocted here an all-too-possible vision. . . . [She is] a master.” –The News & Observer (Raleigh, North Carolina)“A roll of dry, black, parodic laughter. . . . One of the year’s most surprising novels.” –The Economist“Sublime. . . . Good, solid, Swiftian science fiction from a . . . literary artist par excellence.” –The Denver Post“Dances with energy and sophisticated gallows humor. . . . [Atwood’s] wry wit makes dystopia fun.” –People“A crackling read. . . . Atwood is one of the most impressively ambitious writers of our time.” –The Guardian“Gorgeously written, full of eyeball-smacking images and riveting social and scientific commentary. . . . A cunning and engrossing book by one of the great masters of the form.” –The Buffalo News“A powerful vision. . . . Very readable.” –The New York Times Book Review“Brilliant, impossible to put down. . . . Atwood . . . is at once commanding and enchanting. Piercingly intelligent and piquantly witty, highly imaginative and unfailingly compassionate, she is a spoonful-of-sugar storyteller, concealing the strong and necessary medicine of her stinging social commentary within the balm of dazzlingly complicated and compelling characters and intricate and involving predicaments.” –The Atlanta Journal-Constitution“Original and chilling. . . . Powerful, inventive, playful and difficult to resist.” –Pittsburgh Post-Gazette“Brilliantly constructed. . . . Jimmy and Crake grip like characters out of Greek tragedy. . . . Atwood herself is one of our finest linguistic engineers. Her carefully calibrated sentences are formulated to hook and paralyse the reader.” –The Daily Telegraph“Atwood does not disappoint.” –The Dallas Morning News“Gripping. . . . Bursts with invention and mordant wit, none of which slows down its headlong pace. . . . Atwood is in sleek form. . . . [Her] prescience is unsettling.” –St. Petersburg Times“Biting, black humor and absorbing storytelling. . . . Atwood entices.” –USA Today“Compelling. . . . Packed with fascinating ideas. . . . Her most accessible book in years, a gripping, unadorned story.” –The Onion“This superlatively gripping and remarkably imagined book joins The Handmaid’s Tale in the distinguished company of novels (The Time Machine, Brave New World and 1984) that look ahead to warn us about the results of human shortsightedness.” –The Times (London)“Absorbing. . . . Atwood ahs not lost her touch for following the darker paths of speculative fiction–she easily creates a believable, contained future world.” –Seattle Weekly“Engrossing. . . . A novel of ideas, narrated with an almost scientific dispassion and a caustic, distanced humor. The prose is fast and clean.” –Rocky Mountain News“Riveting and thought-provoking. . . . Keen and cutting. . . . [Atwood] has grown into one of the most consistently imaginative and masterful fiction writers writing in English today.” –Richmond Times-Dispatch With the same stunning blend of prophecy and social satire she brought to her classic The Handmaid’s Tale, Margaret Atwood gives us a keenly prescient novel about the future of humanity—and its present. Humanity here equals Snowman, and in Snowman’s recollections Atwood re-creates a time much like our own, when a boy named Jimmy loved an elusive, damaged girl called Oryx and a sardonic genius called Crake. But now Snowman is alone, and as we learn why we also learn about a world that could become ours one day.

From the #1 New York Times bestselling author of The Handmaid's Tale

Oryx and Crake
is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

Thought Provoking and Extremely Creepy This novel, the first in Margaret Atwood's dystopian trilogy, is a fascinating, dark and thought-provoking ride. Perhaps overshadowing the story itself, Atwood's world forces the reader into tremendous moral reflection. We are made to question the nature of exploitation, the meaning of social consent and whether effort for the greater good can ever be divorced from emotional self-interest. In terms of bigger picture message, if not story, the first book reminds me of Hugh Howey's mesmerizing Wool series.The story centers around Jimmy, also called Snowman, assumed to be the lone survivor of a plague that destroyed humanity. His companions are Crakers: a society of unworldly humanoid experiments designed to eliminate the perceived flaws of normal homo sapiens. The Crakers see Snowman as a relic and link to the "before" times as well as their source of knowledge about their creator, Crake. Jimmy has given the Crakers an origin story, that while false, is something he feels they can mentally grasp. The enigmatic Oryx is the novel's most interesting character primarily because she is so difficult to understand. She is the love interest to both Jimmy (Snowman) and Crake.Atwood, an avid environmentalist, creates a believable world where climate change accelerates with cataclysmic consequences; changing the nature of agriculture and livestock production, flooding major cities and changing the weather. To compensate, society evolves into a two-tiered structure where scientists and thought-workers segregate themselves into highly secure compounds while the remainder of humanity fend for themselves in decaying, crime-ridden "plebelands". The scientists, working for global corporations, create increasingly bizarre animal and plant hybrids for food in addition to rejuvenation products that increase lifespan and beauty for those who can afford them.The novel is, overall, an excellent one and well worth the read. The characters are well-developed and fascinating though almost uniformly difficult to like. Many elements of the story are gut-wrenchingly plausible and Atwood masterfully manages to ruin your sleep at night. One leaves the tale of Oryx and Crake with little hope for the future of humanity. Too many genies, it seems, are already out of the bottle.It's possible to nitpick some of the story's futuristic elements. For example, published in 2003, it's difficult to see how Atwood couldn't see the coming of smart phones and electronic documents. Jimmy, searching for a job, is somehow snail mailing his paper resume to prospective employers. And another nit, as a former marketer, I found nearly all of the product names things that would have been mercilessly ridiculed at any ad meeting. Atwood seems in love with cheesy rhymes and putting "oo" in everything (Anooyoo, Soy Oh-Boy, pigoons).Still, world-building is hard, and you have to cut the author some slack. After all, we let Suzanne Collins get away with never explaining how and why the Hunger Games world is like that. Whether or not you will like Oryx and Crake really depends on your feelings about apocalyptic fiction. I tend to rate this type of fiction on whether the author made me think and creeped me out. This novel will definitely do both of those things.Masterful I read a great deal of science fiction and most of it is,to be charitable,derivative trash - particularly the self-published military scifi that is so abundant on Amazon. But every so often a masterpiece appears and one of them is the MaddAddam trilogy. I had been aware of these books for some time, but somehow never got around to reading them. Deeply tired of thousands of missiles and mechanized body armor and planet busters, I finally gave these a try and can kick myself for waiting so long. This is literature, not pulp. Atwood manages a number of individual voices, including her own, that come together to create a fully-realized world. Dystopian, yes but so far above the usual zombies and machine uprisings as Hamlet is to "See Spot Run" The multitude of voices and points-of-views are never more than masterful, the language is lyrical and when need be beautiful, and the creatures that inhabit this world are inventive and vividly described. I can think of only one other series that attains the rank of literature, Octavia Butler's "Lilith" series. MaddAddam is art of the highest order, not just a genre piece. Be prepared to give it some time and you, too, will enter into her world.

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